| Weeks | Topics |
| 1 |
What is Aesthetics? The emergence of the concept of aesthetic In the emergence of the history of aesthetics (the first of the week continued)
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| 2 |
Aesthetic suje analysis (subjectivist - psicolocist aesthetic)
Aesthetic attitude and aesthetic suje
2.Aesthetic attitude and autotelos; Aesthetic attitude and contemplation, aesthetic attitude and conception, aesthetic attitude and sense. Aesthetic attitude and perception, aesthetic attitude and feelings; aesthetic attitude and identical; aesthetic attitude and enjoyment, aesthetic pleasure
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| 3 |
Aesthetic objects analysis (objectivist aesthetic)
3.To identify the aesthetic object of Fenomenologic aesthetic; to identify the aesthetic objects of ontological aesthetic; To identify the aesthetic object in Nicolai Hartmann
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| 4 |
To identify the aesthetic object in Roman İngarden; to identify the aesthetic object in Max Bense
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| 5 |
In the face of reality and irrealite the attitude of Nicolai Hartmann
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| 6 |
To identify the aesthetic object of Marxist aesthetics (Art work for the layout, art work nature of the social class
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| 7 |
Objectivistic attitude in The Information aesthetic; Manufactures (goods) aesthetic and its identify the aesthetic object
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| 8 |
Term exam
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| 9 |
Structuralist aesthetic and to identify the aesthetic object of
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| 10 |
Receptionist aesthetic and its aesthetic object understanding; The Prague Semeiology School’s contribution to receptionist aesthetic
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| 11 |
The ontology of Roman Ingarden contribution to receptionist aesthetic
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| 12 |
Gadamer and his hermeneutic contribution to the receptionist aesthetic
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| 13 |
Umberto Eco, and his "On the art works" understanding contributed to the receptionist aesthetic
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| 14 |
The main idea of the receptionist aesthetic. Objectivist attitude in Frankfurt School
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