1. FIRST CYCLE - BACHELOR'S DEGREE
  2. FACULTY OF SCIENCE AND LETTERS
  3. ARCHAEOLOGY DEPARTMENT
Course Information Course Learning Outcomes Course's Contribution To Program ECTS Workload Course Details
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COURSE INFORMATION
Course CodeCourse TitleL+P HourSemesterECTS
ARK 201SCULPTURE OF CLASSICAL PERIOD - I2 + 03rd Semester4,5

COURSE DESCRIPTION
Course Level Bachelor's Degree
Course Type Compulsory
Course Objective The aims of the course are to understand, describe and study phases and features of Serious Style and High Phase with the history and political issues of the Classical period. The objectives of the course are to understand and study the sculptures and sculptors of each phases of Classical sculpture.
Course Content During this course, sculptors mentioned by antique writers will be studied and their way to create a movement to the static statues of Archaic Era during 5th century BC in, how the nations in Hellas Peninsula and Anatolia created different and peculiar art movements, the works made by the sculptors and the sculptor’s style will be told. Also, the synthesis of east and west developed after the Persian invasion in Western Anatolia and Athens will be explained and strengthened by original Works. Political, economic and cultural developments of the transitional period from Archaic to classical period will be discussed.
Prerequisites No the prerequisite of lesson.
Corequisite No the corequisite of lesson.
Mode of Delivery Face to Face

COURSE LEARNING OUTCOMES
1To be able to understand the evolution of sculpture form the Archaic period to the beginning of Classical period.
2To be able to describe the phases of classical sculpture in relation with historical and political events.
3 To be able to recognize the main characteristics of Severe Style.
4To be able to understand sculpture of Severe Style.
5To have a basic knowledge about the main characteristics of High Phase.
6To be able to recognize principle sculptors of High Phase and their works.
7To be able to express the importance of reliefs on architecture during High Phase.

COURSE'S CONTRIBUTION TO PROGRAM
PO 01PO 02PO 03PO 04PO 05PO 06PO 07PO 08PO 09PO 10PO 11PO 12PO 13
LO 0015 4 3 4   24 
LO 00243 44        
LO 0034  35       5
LO 004 5 5 4       
LO 0053    53 24  5
LO 0062 1 5  4     
LO 007  4 54       
Sub Total188912221374242410
Contribution3112321101011

ECTS ALLOCATED BASED ON STUDENT WORKLOAD BY THE COURSE DESCRIPTION
ActivitiesQuantityDuration (Hour)Total Work Load (Hour)
Course Duration (14 weeks/theoric+practical)12224
Hours for off-the-classroom study (Pre-study, practice)13339
Assignments248
Mid-terms199
Final examination11010
Presentation / Seminar Preparation3927
Total Work Load

ECTS Credit of the Course





117

4,5
COURSE DETAILS
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 Course TermNoInstructors
Details 2019-2020 Fall1ELİF ÖZER


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Course Details
Course Code Course Title L+P Hour Course Code Language Of Instruction Course Semester
ARK 201 SCULPTURE OF CLASSICAL PERIOD - I 2 + 0 1 Turkish 2019-2020 Fall
Course Coordinator  E-Mail  Phone Number  Course Location Attendance
Prof. Dr. ELİF ÖZER eozer@pau.edu.tr İTBF A0017 %60
Goals The aims of the course are to understand, describe and study phases and features of Serious Style and High Phase with the history and political issues of the Classical period. The objectives of the course are to understand and study the sculptures and sculptors of each phases of Classical sculpture.
Content During this course, sculptors mentioned by antique writers will be studied and their way to create a movement to the static statues of Archaic Era during 5th century BC in, how the nations in Hellas Peninsula and Anatolia created different and peculiar art movements, the works made by the sculptors and the sculptor’s style will be told. Also, the synthesis of east and west developed after the Persian invasion in Western Anatolia and Athens will be explained and strengthened by original Works. Political, economic and cultural developments of the transitional period from Archaic to classical period will be discussed.
Topics
WeeksTopics
1 Methods of lecture and bibliography will be explained. Developments of sculpture froma Archaic Period to the beginning of Classical Period will be briefly explained with examples.
2 Phases of Classical Period sculpture, historical and political events that the period, dating methods, features of the period will be given.
3 General information about Severe Style, the first phase of Classical Period sculpture and pediment statues of Aegina Aphaia Temple which is a construction of this phase will be explained.
4 Important artifacts of the Severe Style phase, such as Harpy Monument, Sitting Goddess of Berlin, Kore of Euthydikos, Blonde Boy, and Kritios Boy will be explained.
5 Important artifacts of the Severe Style phase, such as Tyrant Slayers Group, Charioteer of Delphi, Metopes of Selinus Temple E, Ludovisi Throne and Boston Reliefs will be described.
6 The most important main framework of Severe Style in Classical Period sculpture, Olympia Zeus Temple will be explained in general, besides its pediments and metopes will be described in details.
7 Charioteer of Motia, Bronze Warriors of Riace, Giustiniani Stele, Upset Athena, Sunion Stele, Girl with dove, Thasos Grave Relief, Grave Steles from Sinop, and statue of Penolope will be described.
8 Detailed information will be given about the artifacts of transition from Severe Style to Classical High Phase such as Choiseul-Gouffier Apollo, Apollo of Omphalos, and bronze Zeus statue.
9 High Phase in Classical Period sculpture, general features of this period’s statues, information’s about important sculptors of this period (Myron, Pheidias, Polykleitos) given by ancient authors and development of sculpture in this period will be explained in general.
10 General features of Myron, who is the one of the most important sculptors of High Phase in Classical Period, his contributions to sculpture and his artifacts will be explained in detail.
11 General features of Phidias, who is the one of the most important sculptors of his contributions to sculpture and his artifacts, will be explained in detail.
12 General information about Athena Parthenon Temple, which is the main framework of High Phase in Classical Period, detailed information of its pediments, metopes and friezes will be given.
13 General features of Polycleitus, who is the one of the most important sculptors of High Phase in Classical Period, his contributions to sculpture and his artifacts will be explained in detail.
14 Information about the Roman Period replicas of the artifacts by Myron, Pheidias and Polycleitus, who are the most important sculptors of High Phase in Classical Period, and criticism of replication will be given.
Materials
Materials are not specified.
Resources
ResourcesResources Language
1. Yusuf BOYSAL, Grek Klasik Devir Heykeltraşlığı, Ankara, 1967.Türkçe
2. John BOARDMAN, Yunan Heykeli, Arkaik Dönem (Çev. Y. Ersoy), İstanbul, 2001Türkçe
3. Andrew STEWART, Greek Sculpture, Vol. I-II, London, 1990English
4. Claude Laisné, Art Of Ancient Greece, Paris, 1995English
5. Gisela M.A. RICHTER, The Sculpture And Sculptors Of The Greeks, Yale University Press, 1970, 4. EditionEnglish
6. Von Georg LIPPOLD, Die Griechische Plastik, München, 1950Deutsch
7. Reinhard LULLIES, Griechische Plastik, München, 1956.Deutsch
8. M. Kunze, L. Jakob-Rost, E. Klengel-Brandt, J. Marzahn, R.B. Wartke, Short Guide Pergamon Museum, Mainz, 1995English
9. Gisela RICHTER, Yunan Sanatı (Çev. B. Madra), İstanbul, 1984Türkçe
10. Peter LEVI, Eski Yunan, Atlaslı Büyük Uygarlıklar Ansiklopedisi 3(Çev. N. Erdilek), İletişim Yayınları, İstanbulTürkçe
11. Robin OSBORNE, Archaic and Classical Greek Art, Oxford, 1998English
12. Peter GREEN, Ancient Greece, London, 1997English
13. Ekrem AKURGAL, Anadolu Uygarlıkları, 4. bası, İstanbul, 1993Türkçe
14. D.S. ROBERTSON; Greek and Roman Architecture, Cambridge University Press, 1929 (reprinted 1992).English
15. John BOARDMAN, The Oxford History of Classical Art, Oxford, 1997English
16. John BOARDMAN, Greek Art, London, 1981 (1964)English
17. John BOARDMAN, Grek Sculpture, The Late Classical Period, London, 1995English
18. John BOARDMAN, Grek Sculpture, The Classical Period, London, 1985 (Reprinted 1995).English
19. Nigel SPIVEY, Understanding Grek Sculpture, London ,1997 (first ed. 1996)English
20. John Griffiths PEDLEY, Griechische Kunst, Köln, 1999 (1993).Deutsch
21. Paolo E. ARIAS-Max HIRMER, Tausend Jahre Griechische Vasenkunst, München, 1960.Deutsch
22. John BOARDMAN, Athenian Black Figure Vases, London, 1995English
23. Henri LECHAT, Yunan Heykeli (Çev. A.H. Tanpınar-Z. Müritoğlu), İstanbul, 1944.Türkçe
24. C.H. Emilie HASPELS, Eski Yunan Boyalı Keramiği (Çev. A. Akarca), İstanbul, 1946Türkçe
25. Nathaniel HARRIS, History of Ancient Greece, London, 2000. English
1. Yusuf BOYSAL, Grek Klasik Devir Heykeltraşlığı, Ankara, 1967Türkçe
2. John BOARDMAN, Yunan Heykeli, Arkaik Dönem (Çev. Y. Ersoy), İstanbul, 2001.Türkçe
3. Andrew STEWART, Grek Sculpture, Vol. I-II, London, 1990English
4.John BOARDMAN, Grek Sculpture, The Late Classical Period, London, 1995English
5.Nigel SPIVEY, Understanding Grek Sculpture, London ,1997 (first ed. 1996)English
6.John BOARDMAN, The Oxford History of Classical Art, Oxford, 1997English
7.Gisela M.A. RICHTER, The Sculpture And Sculptors Of The Greeks, Yale University Press, 1970, 4. EditionEnglish
8. Robin OSBORNE, Archaic and Classical Greek Art, Oxford, 1998English
1. Yusuf BOYSAL, Grek Klasik Devir Heykeltraşlığı, Ankara, 1967.Türkçe
2. John BOARDMAN, Yunan Heykeli, Arkaik Dönem (Çev. Y. Ersoy), İstanbul, 2001Türkçe
3. Andrew STEWART, Greek Sculpture, Vol. I-II, London, 1990English
4. Claude Laisné, Art Of Ancient Greece, Paris, 1995English
5. Gisela M.A. RICHTER, The Sculpture And Sculptors Of The Greeks, Yale University Press, 1970, 4. EditionEnglish
6. Von Georg LIPPOLD, Die Griechische Plastik, München, 1950Deutsch
7. Reinhard LULLIES, Griechische Plastik, München, 1956.Deutsch
8. M. Kunze, L. Jakob-Rost, E. Klengel-Brandt, J. Marzahn, R.B. Wartke, Short Guide Pergamon Museum, Mainz, 1995English
9. Gisela RICHTER, Yunan Sanatı (Çev. B. Madra), İstanbul, 1984Türkçe
10. Peter LEVI, Eski Yunan, Atlaslı Büyük Uygarlıklar Ansiklopedisi 3(Çev. N. Erdilek), İletişim Yayınları, İstanbulTürkçe
11. Robin OSBORNE, Archaic and Classical Greek Art, Oxford, 1998English
12. Peter GREEN, Ancient Greece, London, 1997English
13. Ekrem AKURGAL, Anadolu Uygarlıkları, 4. bası, İstanbul, 1993Türkçe
14. D.S. ROBERTSON; Greek and Roman Architecture, Cambridge University Press, 1929 (reprinted 1992).English
15. John BOARDMAN, The Oxford History of Classical Art, Oxford, 1997English
16. John BOARDMAN, Greek Art, London, 1981 (1964)English
17. John BOARDMAN, Grek Sculpture, The Late Classical Period, London, 1995English
18. John BOARDMAN, Grek Sculpture, The Classical Period, London, 1985 (Reprinted 1995).English
19. Nigel SPIVEY, Understanding Grek Sculpture, London ,1997 (first ed. 1996)English
20. John Griffiths PEDLEY, Griechische Kunst, Köln, 1999 (1993).Deutsch
21. Paolo E. ARIAS-Max HIRMER, Tausend Jahre Griechische Vasenkunst, München, 1960.Deutsch
22. John BOARDMAN, Athenian Black Figure Vases, London, 1995English
23. Henri LECHAT, Yunan Heykeli (Çev. A.H. Tanpınar-Z. Müritoğlu), İstanbul, 1944.Türkçe
24. C.H. Emilie HASPELS, Eski Yunan Boyalı Keramiği (Çev. A. Akarca), İstanbul, 1946Türkçe
25. Nathaniel HARRIS, History of Ancient Greece, London, 2000. English
Course Assessment
Assesment MethodsPercentage (%)Assesment Methods Title
Final Exam50Final Exam
Midterm Exam50Midterm Exam
L+P: Lecture and Practice
PQ: Program Learning Outcomes
LO: Course Learning Outcomes