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COURSE INFORMATION
Course CodeCourse TitleL+P HourSemesterECTS
MZO 2011HARMONY AND ACCOMPANIMENT - I2 + 03rd Semester3

COURSE DESCRIPTION
Course Level Bachelor's Degree
Course Type Compulsory
Course Objective To be able to do formal and harmonic analyses.
Course Content Voice leading practices; plagal, authentic, and full authentic cadences; chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
Prerequisites No the prerequisite of lesson.
Corequisite No the corequisite of lesson.
Mode of Delivery Face to Face

COURSE LEARNING OUTCOMES
1Armonizes the root and first inversion chord.
2Distinguishes the root and first inversion chord by hearing within a piece.
3Plays,perfect half and plagal cadance on piano.
4Identifies perfect, half and plagal cadance and distinguishes.
5Able to play a harmonical piece about root and first inversion chord on piano.

COURSE'S CONTRIBUTION TO PROGRAM
PO 01PO 02PO 03PO 04PO 05PO 06PO 07PO 08PO 09PO 10PO 11PO 12PO 13PO 14
LO 001              
LO 002              
LO 003              
LO 004              
LO 005              
Sub Total              
Contribution00000000000000

ECTS ALLOCATED BASED ON STUDENT WORKLOAD BY THE COURSE DESCRIPTION
ActivitiesQuantityDuration (Hour)Total Work Load (Hour)
Course Duration (14 weeks/theoric+practical)14228
Mid-terms12424
Final examination12626
Total Work Load

ECTS Credit of the Course






78

3
COURSE DETAILS
 Select Year   


 Course TermNoInstructors
Details 2020-2021 Fall1AYKUT ÖNDER SARIÇİFTÇİ


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Course Details
Course Code Course Title L+P Hour Course Code Language Of Instruction Course Semester
MZO 2011 HARMONY AND ACCOMPANIMENT - I 2 + 0 1 Turkish 2020-2021 Fall
Course Coordinator  E-Mail  Phone Number  Course Location Attendance
Asts. Prof. Dr. AYKUT ÖNDER SARIÇİFTÇİ sciftci@pau.edu.tr MSSF A0026-02 %
Goals To be able to do formal and harmonic analyses.
Content Voice leading practices; plagal, authentic, and full authentic cadences; chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
Topics
WeeksTopics
1 Voice leading practices; plagal, authentic, and full authentic cadences
2 Voice leading practices; plagal, authentic, and full authentic cadences
3 Suspensions, passing and neighboring notes
4 Suspensions, passing and neighboring notes
5 Retard
6 Harmonizing soprano-bass parts
7 Harmonizing soprano-bass parts
8 Harmonizing soprano-bass parts
9 Chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
10 Chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
11 Chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
12 Chords and their inversions; suspensions, passing and neighboring notes; harmonizing soprano-bass parts.
13 Harmonizing soprano-bass parts
14 Harmonizing soprano-bass parts
Materials
Materials are not specified.
Resources
ResourcesResources Language
N.CANGAL Armoni- Müzik Formları. Walter PİSTON and Mark Devoto, Harmony, Marcel DUPRE, Cours d’harmonie Analytique. Th Duboıs. Traite D’Harmonie. Türkçe
N.CANGAL Armoni- Müzik Formları. Walter PİSTON and Mark Devoto, Harmony, Marcel DUPRE, Cours d’harmonie Analytique. Th Duboıs. Traite D’Harmonie. Türkçe
N.CANGAL Armoni- Müzik Formları. Walter PİSTON and Mark Devoto, Harmony, Marcel DUPRE, Cours d’harmonie Analytique. Th Duboıs. Traite D’Harmonie. Türkçe
Course Assessment
Assesment MethodsPercentage (%)Assesment Methods Title
Final Exam60Final Exam
Midterm Exam40Midterm Exam
L+P: Lecture and Practice
PQ: Program Learning Outcomes
LO: Course Learning Outcomes